Reality Capture from 96 photos
3D捕捉於羅浮宮 黎塞留(Richelieu)翼 中庭 俘虜銅雕（Captifs）
作者：Martin Desjardins
使用Sony α7 rII，一共拍攝96張照片3D捕捉而成。
The Captives surrounded the pedestal of the statue of Louis XIV on foot in the Place des Victoires. They are by Martin Desjardins, the gallicized name of an eminent Dutch sculptor active during the reign of Louis XIV.
The captives, four larger-than-life bronze figures, symbolize the four nations defeated at the time of the Treaty of Nijmegen. Each represents one of the ages of man and a different attitude to captivity. Spain is a smooth-faced young man with streaming hair. His naked, upright body and heavenward gaze all indicate hope. The Holy Roman Empire is a bearded old man dressed in an ancient tunic. His head is bowed and his body sags in dejected resignation. Holland is young man with virile features and a short beard. His naked body poised to leap, his shoulder thrust forward in a defiant gesture and his wild expression speak of rebellion. Brandenburg is a mature man dressed like an ancient barbarian.
四個比真人還大的戰俘銅雕，分別代表西班牙,神聖羅馬帝國,布蘭登堡,以及荷蘭
；每個代表人物體態、年齡及態度各不相同；
西班牙是一個光滑面龐的年輕人，長髮，光裸上身，直立身體，目光朝天象徵著希望。
神聖羅馬帝國是一個鬍子老頭，他的頭低垂，身體黯然低垂。
荷蘭是個精力充沛的年輕人，有著短髭。他的肩膀向前，傳達著挑釁與不服輸的態度。
布蘭登堡是一個中年男人，手按著披風，下垂右肩和扭曲的臉表達悲痛。
The Captives are all turned to the right, which encourages viewers to walk around the monument in a clockwise direction. Desjardins brilliantly varied his figures, alternating old and young, nude and clothed, upright and stooping figures, and arranging their arms and legs in different positions.
俘虜都轉向右邊，暗示觀眾順時針方向觀賞。雕塑家精巧的安排布局，交替著年長與年輕，赤裸與穿衣，昂然與低落；並安排各人手臂和腿各有不同姿勢。
Scan Detail
Zbrush cleanup
LiveJournal Tags: Louvre,Reality Capture,3D,Structure,Male,Man,Nude,Photogrammetry,Render,VRay,Clay Render,掃描,羅浮宮
3D捕捉於羅浮宮 黎塞留(Richelieu)翼 中庭 俘虜銅雕（Captifs）
作者：Martin Desjardins
使用Sony α7 rII，一共拍攝96張照片3D捕捉而成。
The Captives surrounded the pedestal of the statue of Louis XIV on foot in the Place des Victoires. They are by Martin Desjardins, the gallicized name of an eminent Dutch sculptor active during the reign of Louis XIV.
The captives, four larger-than-life bronze figures, symbolize the four nations defeated at the time of the Treaty of Nijmegen. Each represents one of the ages of man and a different attitude to captivity. Spain is a smooth-faced young man with streaming hair. His naked, upright body and heavenward gaze all indicate hope. The Holy Roman Empire is a bearded old man dressed in an ancient tunic. His head is bowed and his body sags in dejected resignation. Holland is young man with virile features and a short beard. His naked body poised to leap, his shoulder thrust forward in a defiant gesture and his wild expression speak of rebellion. Brandenburg is a mature man dressed like an ancient barbarian.
四個比真人還大的戰俘銅雕，分別代表西班牙,神聖羅馬帝國,布蘭登堡,以及荷蘭
；每個代表人物體態、年齡及態度各不相同；
西班牙是一個光滑面龐的年輕人，長髮，光裸上身，直立身體，目光朝天象徵著希望。
神聖羅馬帝國是一個鬍子老頭，他的頭低垂，身體黯然低垂。
荷蘭是個精力充沛的年輕人，有著短髭。他的肩膀向前，傳達著挑釁與不服輸的態度。
布蘭登堡是一個中年男人，手按著披風，下垂右肩和扭曲的臉表達悲痛。
The Captives are all turned to the right, which encourages viewers to walk around the monument in a clockwise direction. Desjardins brilliantly varied his figures, alternating old and young, nude and clothed, upright and stooping figures, and arranging their arms and legs in different positions.
俘虜都轉向右邊，暗示觀眾順時針方向觀賞。雕塑家精巧的安排布局，交替著年長與年輕，赤裸與穿衣，昂然與低落；並安排各人手臂和腿各有不同姿勢。
Scan Detail
LiveJournal Tags: Louvre,Reality Capture,3D,Structure,Male,Man,Nude,Photogrammetry,Render,VRay,Clay Render,掃描,羅浮宮
留言
張貼留言
在此輸入您的留言，以及使用電子郵件訂閱後續意見至您的信箱